Stephen King’s The Bill Hodges Trilogy Concordance

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  CONTENTS

  Introduction

  MR. MERCEDES

  Mr. Mercedes Characters

  Mr. Mercedes Places

  FINDERS KEEPERS

  Finders Keepers Characters

  Finders Keepers Places

  END OF WATCH

  End of Watch Characters

  End of Watch Places

  INTRODUCTION

  THE BILL HODGES TRILOGY

  In 2015, the Mystery Writers of America presented the Edgar Award to Stephen King for his detective novel Mr. Mercedes, the first installment in a trilogy of thrillers about a retired detective–cum–private investigator whose final unsolved police case comes back to haunt him. Although King is most famous for his supernatural fiction, his Constant Readers have always delighted in the Master of Horror’s deft use of suspense and real-life crime. Novels such as Dolores Claiborne, Misery, Gerald’s Game, and The Shining have all been acknowledged as powerful psychological thrillers, while Black House—one of two collaborative novels written with King’s longtime friend, Peter Straub—made chilling use of the real-life butchery perpetrated by the pedophile and cannibal Albert Fish. Mystery and murder were also the focus of King’s novels Joyland and The Colorado Kid, both of which were published by Hard Case Crime.

  All three books in the Bill Hodges trilogy—Mr. Mercedes, Finders Keepers, and End of Watch—star Kermit William Hodges, a highly decorated but recently retired police officer whose life has become entangled with that of a poisonous serial killer. Although each book takes place in a slightly different time period—Mr. Mercedes in 2010, Finders Keepers between 1978 and 2014, and End of Watch in 2016—what unites all three stories is a vivid flashback to the early hours of April 10, 2009. On that fateful morning, a psychopath wearing a clown mask and yellow gloves drove a stolen Mercedes into a crowd of job-seekers, killing eight, paralyzing three, and severely wounding many others.

  Although each novel is unique, this single atrocity perpetrated by a lone psychopath acts as an emotional and psychological ground zero for all three books. In Mr. Mercedes, Bill Hodges and his two unusual assistants—a young African-American high school student named Jerome Robinson and a psychologically unstable forty-five-year-old woman called Holly Gibney—must track down the Mercedes Killer before he can kill again. In Finders Keepers, Bill, Holly, and Jerome must aid Pete Saubers, a young man whose family was devastated by the City Center attack, but who—while trying to save his parents from financial disaster—found himself unwittingly involved with a different kind of maniac. Finally, in End of Watch, Bill Hodges, Holly Gibney, and Jerome Robinson must once again track down psychotic Brady Hartsfield. Only now—thanks to an illegal drug trial—Hartsfield has developed inhuman psychic powers, which he uses to feed his insatiable hunger for pain and death.

  No one writes about small-town America (or small-city America) with more affection than Stephen King. And yet few others critique its small-mindedness and potential cruelty with greater conviction. And though in the Bill Hodges trilogy our focus remains unrelentingly upon the tightly paced plots and on the relationships between detective and criminal, innocent victims and manipulative perps, in all three novels King’s vision of the dual nature of American society colors the stories and informs the action. In fact, it could be argued that what makes the Mercedes Massacre—and the resulting novels—so chilling, is the familiarity and normality of the world in which they take place. The anxiety we experience on behalf of the characters is also our own anxiety: it is the creeping horror we feel when faced with the stark reality of recession-plagued America, of murder-capital America, and of homegrown-terrorist America. Like so many of King’s books, the setting of these novels is in our collective unconscious, the place where the American dream turns into a nightmare, and where even the most careful middle-class Americans are forced to realize that nothing is safe anymore, if it ever was.

  Mr. Mercedes, Finders Keepers, and End of Watch all take place in a small, economically depressed, unnamed city in an unnamed state located in the Great Lakes region of the Upper Midwest. Although the setting is most definitely fictional (as are King’s famous Maine towns of Derry, Castle Rock, and Jerusalem’s Lot), our city’s endemic problems are painfully familiar. The Bill Hodges novels are thrillers, but on a deeper level they are also about economic and social inequality, racism, and human cruelty so great that it bleeds over into an almost unimaginable universal evil.

  Like many cities in the Midwest whose economic base was originally industry and manufacturing, Bill Hodges’s city has been hard-hit by the recession. The warehouses lining the lakeshore are empty, and the unemployment lines are long. Like so many urban spaces in America, the city is a divided one. The rich live in the downtown area’s ritzy Lake Avenue condos (named for their stunning views of the water), or in suburban municipalities such as Sugar Heights and Parsonville, both of which are known to the city’s African-American residents as Whiteyville. Separated from the rest of the city by the turnpike spur overpass is the city’s ghetto, appropriately called Lowtown. The upwardly mobile middle classes live on the West Side, while less-expensive starter homes are in Northfield, on the North Side of the city. The fear of West Side residents is that they will lose their jobs and so inevitably end up renting in Northfield. Northfield residents, on the other hand, are haunted by visions of sliding into the poverty of Lowtown. And those in Lowtown? We can only assume that they are forced to live out their nightmares every day when they walk out of their houses onto the crime-ridden streets.

  Our dirty little lakefront city is not just divided by the economics of rich and poor, but also by the enforced demographics of skin color. Jerome Robinson is the son of an accomplished African-American couple—his mother is a CPA and his father is a college professor—but we strongly suspect that they are the only people of color in their affluent neighborhood. After all, Hodges’s neighbor Mrs. Melbourne calls Jerome “that nice Negro boy,” and we sense that part of Brady Hartsfield’s rage against the young man and his family is that they are living in a neighborhood that should be, by rights, strictly Caucasian. Why? Because it is too expensive for Brady to live there, so why should a black family have what Brady cannot?

  Both Jerome and Bill are very aware of the prejudices of their city. While visiting Sugar Heights, Jerome worries that he will be perceived as a burglar, and before his retirement, Detective Bill Hodges deduces that the Mercedes Killer must be white, since a person of color seen entering a Mercedes on Lake Avenue would have been clocked by neighbors, making the suspect much easier to find.

  But it is not just the wealthy areas of our city that are segregated. Even the poorer sections of the city are divided by race. Edgemont Avenue, just south of Lowtown’s central street of Lowbriar, looks like a war zone, but it is a white war zone. Its population consists of the descendants of Kentucky and Tennessee hillfolk who migrated to this urban area during the manufacturing boom following World War II. Now that the factories have closed, most of the population consists of drug addicts who switched to brown-tar heroin when Oxy got too expensive. Its main drag is lined with bars, pawnshops, and check-cashing joints.

  Lowtown proper, whose border sits just beyond the turnpike spur overpass, has many of the same problems, but its population is predominantly African-A
merican. After crossing under the overpass (which is littered with broken crack vials) all you find is a wasteland of vacant lots and abandoned tenements. Drugs are sold openly on streetcorners, and there’s a burgeoning trade in illegal weapons. Despite budget cuts, safe practice demands that police officers patrol this area in pairs, and that at least one of the pair is a person of color.

  Strictly speaking, our story is not realistic fiction. It is a thriller, and the pleasure of reading a thriller is the pleasure of witnessing a crime being carefully and systematically solved and of a killer being brought to justice. But in its setting, the Bill Hodges novels also document a different kind of injustice—the plight of the have-nots—which afflicts so much of both urban and rural America. The event that kicks off the series—Brady Hartsfield’s attack upon the job-seekers at the City Center job fair—seems all the more unjust and vicious when you consider that the victims are ordinary people who once considered themselves middle class or upwardly mobile working class, but who are now fast slipping into the underclass of the hopeless, terminally unemployed. Those who survive the attack, like Tom Saubers, whom we meet in Finders Keepers, find that their injuries make their job prospects even grimmer than they previously were, and the cost of medical treatment is astronomical.

  In the Bill Hodges trilogy, as in the novel Insomnia, our protagonist is a retiree, which—in our youth- and work-obsessed culture—seems profoundly unglamorous. Yet it is this very lack of glamour, and Hodges’s personal triumph over despair and meaninglessness, that makes us, as readers, feel such affection for him.

  At the beginning of Mr. Mercedes, Hodges’s lack of purpose and lonely depression are palpable. Divorced from his wife and estranged from his daughter, he is on the verge of suicide. Although Hodges was one of the most decorated police officers in his city’s history and served on the force for forty years, by the time we meet him, six months into his retirement, he is sitting in his La-Z-Boy in front of the television holding a beer in one hand and his father’s .38 Smith & Wesson in the other. Yet, over the course of the novels, Hodges’s life takes on both meaning and grandeur. Not only does he rediscover his calling but he also builds a family for himself to replace his own estranged one. These new loved ones—a young woman with a history of mental and emotional instability, and a young African-American man who has grown up in a predominantly Caucasian community—are also outsiders, but with Bill, they take on a series of tasks that not only result in their own personal growth but also in the betterment of their community and the betterment of the greater world.

  In my opinion, part of what makes King’s work so popular and powerful is his ability to focus on the great themes of life: good versus evil, redemptive love versus poisonous hate. As the Bill Hodges trilogy progresses, we see that King is not just writing thrillers: he is tying these books into the larger themes of the King universe.

  As all of Stephen King’s Constant Readers will recognize, the character of Brady Hartsfield unites real-world evil with the supernatural evil of nightmare. Hartsfield is a serial killer, constantly able to elude the police, but the trademark symbols he uses to represent himself to the public are straight out of Stephen King’s horror novels. The smile-face that Hartsfield sticks onto Olivia Trelawney’s steering wheel, and which he uses frequently in his poison-pen letters, is reminiscent of the smile-face pin worn by Randall Flagg in The Stand. Similar smile-faces are used by Flagg’s many R.F. personas in the Dark Tower novels. The Pennywise mask that Hartsfield wears when he commits the City Center atrocity is one of the many faces of It the ancient, supernatural evil that sleeps beneath the town of Derry, Maine. Even the stolen car that Hartsfield uses becomes a talisman of evil, reminding the police officers who find it of Christine, the killer Plymouth Fury. Hartsfield even lives on Elm Street, an address synonymous with horror, thanks to the Nightmare on Elm Street franchise.

  The words Hartsfield chooses to start up his computers and to halt their automatic suicide program are chaos and darkness, two forces for which Hartsfield feels complete affinity. And in this too he echoes Randall Flagg. To Brady Hartsfield, there is no God, and all religions lie. Every moral precept is a delusion. The truth is darkness, and the only thing that matters is making a statement before one enters the shadow of the void. The best way to do this is to cut the skin of the world and leave a scar. After all, all that history amounts to is the accumulation of scar tissue.

  Facing off Hartsfield’s darkness is the light of Bill Hodges. Seen in the context of King’s magnum opus, the Dark Tower series, Bill Hodges is a gunslinger and a knight of the White or, as Roland Deschain would call him, a knight of the badge and the gun. With his ka-tet—the gifted but psychologically fragile Holly Gibney and the brilliant young African-American student, Jerome Robinson (who, like a certain Susannah Dean, has a secret second self he calls Tyrone Feelgood Delight)—Hodges tries to make the world a better place. And in the end, is there anything more important that any of us can do with our lives?

  In creating this concordance, I undertook a much greater task than I initially realized, but it was most definitely a task worth undertaking. In journeying with Bill Hodges and his ka-tet, I rediscovered something I learned, long ago, in Mid-World. All things serve the Beam, even an unlikely aging gumshoe in a small midwestern city.

  Thanks for listening. Long days and pleasant nights!

  Robin Furth

  April 7, 2016

  MR. MERCEDES

  MR. MERCEDES

  CHARACTERS

  Since the pleasure we take in reading thrillers is directly proportional to the suspense built into the plot, in this Characters section I have tried to avoid revealing any major spoilers. To discover the fates of any Mr. Mercedes characters, please see the Finders Keepers Characters section. Thanks!

  ABBASCIA FAMILY

  In 2004, Detectives BILL HODGES and PETE HUNTLEY smashed the Abbascia Family crime ring by arresting and jailing at least a dozen of its members. A year later, they RICO’d at least two dozen more, and FABBY THE NOSE threatened to get them both. By 2010, when our story takes place, Fabrizio is dead and his brother is in a mental asylum.

  CAVELLI, MR.: Cavelli is part of the reformed Abbascia Family crime ring. Officers LAVERTY and ROSARIO (also known as TOODY AND MULDOON) catch him in Lowtown carrying a very strange florist’s box.

  FABRIZIO (FABBY THE NOSE): Fabby the Nose was a member of the Abbascia Family crime ring. When Detectives HODGES and HUNTLEY destroyed the ring, Fabrizio threatened to get them both. Unfortunately for him, he died before he could make good on his promise.

  BROTHER: Brother of FABBY THE NOSE. He is convinced that he is Napoleon. (Needless to say, he is in an asylum.)

  LAWRENCE, BERTONNE: According to the sign outside of King Virtue Pawn & Loan in Lowtown, the owner is an African-American man named Bertonne Lawrence. However, the shop is a lease and Lawrence is a front. The shop is actually owned by the Abbascia gang.

  MORETTI, ALONZO: Alonzo Moretti is the grandson of FABBY THE NOSE, and at the time our story takes place, he is the head of the ABBASCIA FAMILY’s illegal weapons business.

  ATF AGENTS

  See POLICE (ATF AGENTS)

  BABINEAU, DR.

  See LAKES REGION TRAUMATIC BRAIN INJURY CLINIC CHARACTERS

  BAIL BONDSMAN

  See HODGES, KERMIT WILLIAM

  BAM-100

  On the BAM-100 radio station, every weekend is rock block weekend. BRADY HARTSFIELD likes this station.

  BATOOL, MR.

  See DISCOUNT ELECTRONIX CHARACTERS: CYBER PATROL TEAM CUSTOMERS

  BEESON, HANK

  See HARTSFIELD NEIGHBORS

  BENNETT, TONY

  See MINGO AUDITORIUM BANDS

  BERKOWITZ, DAVID

  See SERIAL KILLERS

  BERNICE (BERNI)

  See ROBINSON, JEROME

  B’HAI RESTAURANT PERSONNEL

  See TRELAWNEY, OLIVIA

  BILL AND BRADY KILL SOME LADIES

  When retired detec
tive BILL HODGES’s search for the MERCEDES KILLER hits hard times, he berates himself for shoddy police work and fears that rather than tracking down the MERCEDES KILLER, he has been aiding and abetting a maniac. He imagines that he and BRADY HARTSFIELD are the stars of a reality TV show entitled Bill and Brady Kill Some Ladies. As Bill unfortunately realizes, the majority of Brady’s victims have been women.

  BLUE ANGELS

  See LOWTOWN DENIZENS

  BLUE KNIGHTS

  See POLICE (CITY POLICE)

  BLUES BROTHERS

  See HARTSFIELD, DEBORAH ANN

  BMW SALESMAN/BMW MECHANIC

  See ROSS MERCEDES

  BOGART, HUMPHREY

  See WRITERS, CHARACTERS, AND ACTORS: MYSTERIES AND CRIME FICTION

  BOLO

  BOLO is cop-speak for be on the lookout.

  BOWFINGER, ALAN

  See HODGES, KERMIT WILLIAM: NEIGHBORS

  BUNDY, TED

  See SERIAL KILLERS

  BURAMUK, MRS.

  Mrs. Buramuk runs the Thai restaurant in Newmarket Plaza. Before BILL HODGES retired from the police force, he often ate there.

  BUS DRIVER

  See GREAT LAKES TRANSPORT

  CAIN, JAMES M.

  See WRITERS, CHARACTERS, AND ACTORS: MYSTERIES AND CRIME FICTION

  CANTON, SILVER, MAKEPEACE, AND JACKSON

  Canton, Silver, Makepeace, and Jackson is a law firm located in the unnamed city where our story takes place. GEORGE SCHRON is one of the firm’s junior partners.

  LOUNSBURY, MARTIN: Martin Lounsbury is a fictional paralegal who works for Canton, Silver, Makepeace, and Jackson. JEROME ROBINSON uses this alias when he calls VIGILANT GUARD SERVICE to find out information that will help to catch the MERCEDES KILLER.

  SCHRON, GEORGE: George Schron is a junior partner with the law firm Canton, Silver, Makepeace, and Jackson. He was also OLIVIA TRELAWNEY’s lawyer and the executor of her will. After inheriting her sister’s sizeable fortune, JANELLE PATTERSON hired Schron to be her lawyer as well. Although Schron is still young, Janelle’s impression is that he’s the sharpest knife in the drawer.